Rockefeller - Torsdag 5. november
KURT VILE & THE VIOLATORS
Fascinert av lo-fi profiler som Beck, Pavement og Smog, og med en kjærlighet for klassikere som Petty, Creedence og Neil Young, startet Kurt Vile sin karriere. Han slo for alvor igjennom med albumet, ”Smoke Ring for My Halo” som var mer reflekterende, sexy og dypt enn hva han hadde bedrevet tidligere. Hans sjette album, ”Wakin on a Pretty Daze”, var en 69 minutter lang dobbel LP, som skiftet mellom nydelig fingerspill, hard gitar og tandre sanger som utfoldet seg til store historier. Det neste kapittelet i Kurt Vile sin omfattende diskografi vil avsløre seg selv høsten 2015. Se en liten teaser her.
Les hva Kim Gordon (Sonic Youth) skriver om Kurt og hans kommende album:
"Having been the subject and willing conspirator of many intentional lies planted in Sonic Youth bios over the years, I know first hand the way album lore can bend reality to its truth. After the infamous Byron Coley originated the SY "Trilogy" myth in the Murray Street bio, we had no choice but to fulfill those expectations with Sonic Nurse. "Why did you decide to make a trilogy?" was always the first question asked in interviews around that time.
But this is Kurt Vile's bio, and I wont do that to him. Anyway, Kurt does his own myth making; a boy/man with an old soul voice in the age of digital everything becoming something else, which is why this focused, brilliantly clear and seemingly candid record is a breath of fresh air. Recorded and mixed in a number of locations, including Los Angeles and Joshua Tree, "b'lieve I'm goin' down" is a handshake across the country, east to west coast, thru the dustbowl history ("valley of ashes") of woody honest strait forward talk guthrie, and a cali canyon dead still nite floating in a nearly waterless landscape. The record is all air, weightless, bodyless, but grounded in convincing authenticity, in the best version of singer songwriter upcycling. In Kurt's words, "I wanted to get back into the habit of writing a sad song on my couch, with nobody waiting on me. I really wanted it to sound like it's on my couch -- not in a lo-fi way, just more unguarded and vulnerable."
For a record that plays like a cohesive acoustic experience, its musicality marks Kurt's departure from an electric guitar experience to include a range of instrumentation with a large group of players. From the banjo he plays on "I'm an Outlaw" to the piano and lapsteel on "Life Like this," and the myriad other instruments on other songs, including farfisa, resonator, arps, horns and synth, one never thinks about what exactly yr listening to as it all serves the song.
The heart of the record is "Stand Inside." The music is quiet and the melody, like a hymn, folds in on itself, and embraces full strength in a sexy, floating forcelessness that slowly gathers into a wave that doesn't go where you think it will or rather gives in to itself and celebrates a man willing to be defined by a woman and his love for her as witness to each other’s lives… Don't stand by my side, stand inside gives up roleplaying for true exposure and vulnerability.
It's a weird, accepting, mature record, acknowledging the inherent immaturity of being a person whether father, husband, partner, adult, musician, not perfect, but compelling for its understanding … that's life though so sad to say… I love this record, b'lieve I'm goin down.
Kim Gordon"
Bill. kr. 300,- + bill.avg. 18 år leg.
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